Simmias harmony thesis

In it, Socrates is written to argue for the existence of an immortal soul, distinct and separate from the body. Much later, while the Hebrews did not accept the concept of a distinct soul, the Christian tradition had moved beyond the Hebrews and into Gentile culture, in which it took on some different aspects to which they could relate. Given that Greek philosophy was an influential factor in the later development of Gentile Christianity[1], the impact of the reasoning in Phaedo might be an original and profound, if forgotten, basis for the modern Western concept of the soul. In his first two arguments, Socrates attempts to argue for the existence of a soul.

Simmias harmony thesis

Phaedo slips back into the narrative after this brief interlude. Socrates warns his friends Simmias harmony thesis to become "misologic" and begin hating arguments.

This might happen if one becomes attached to every argument one hears, only to discover later that it is false.

Too many disappointments of this kind can lead to sophistry and a conviction that there is no truth, since no arguments are dependable and stable. But, Socrates points out, Simmias is contradicting himself if he maintains both that the soul is an attunement and that learning is recollection.

The Theory of Recollection shows that the soul must have existed before birth, but the attunement of an instrument cannot possibly exist before the instrument is made. Simmias acknowledges this contradiction, and accordingly withdraws his objection.

Socrates provides three more arguments to show that the soul is different from the attunement of an instrument. First, he points out that an instrument can be more or less well-tuned, and so can have more or less attunement.

Simmias harmony thesis

A soul, on the other hand, cannot be even remotely more or less soul than any other soul, and in this way is unlike attunement. Second, Socrates points out that some souls are good while others are bad, and makes Simmias agree that a good soul may be seen as analogous to an instrument in tune, and a bad soul as to one out of tune.

But since an instrument in tune has more attunement than one out of tune, and since Socrates and Simmias have already agreed that no soul has more soul than any other soul, this analogy does not hold.

PHIL Handout 5: Socrates' Response to Simmias

If every soul is an attunement, no soul is in discord, and every soul is equally good. Third, Socrates has Simmias agree that the soul governs the body, compelling it to move and to act. Contrary to this, the attunement of an instrument depends wholly on the instrument itself and the manner in which it is made.

The body, on the other hand, has no ability to affect the soul, nor does the soul depend upon it. This break in the narrative may do a number of things. Plato may be trying to give these objections as much force as possible, and so does not want to have them refuted as soon as they are laid out.Simmias harmony argumentative essays.

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I. Recall Simmias' Objection: Perhaps the soul is analogous to the attunement or the harmony of a lyre. A.

DT Strain Philosophy: Simmias’ Harmony

Just as the attunement of the lyre is the result of various tensions and weights of its strings (i.e., a purely physical feature), so the soul may be the result purely physical features of the body.

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Simmias' objection comparing the soul to the attunement of a musical instrument is closely linked to Pythagorean thought. The Pythagoreans believed in the divinity of music, and in the notion that the motion of the celestial spheres is dictated by perfect harmonies.

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Simmias’ Harmony Socrates’ Arguments For A Distinct Soul Dissected DT Strain, February Phaedo may be especially important in ancient Greek philosophic concepts on the soul. In it, Socrates is written to argue for the existence of an immortal soul, distinct and separate from the body.

Conclusion: Simmias’ lyre/harmony analogy must.

SparkNotes: Phaedo: 88c - 95a